01
Beck Earthenware · complete 2026 palette
Seven bodies. One freedom of form.
FA240 Red now joins the complete collection, photographed in the courtyard of the Saon factory. A clear, sensitive palette designed to let the maker’s gesture speak.
From left to rightFA160 · FA141 · FA170 · FA240 · FA151 · FA324 · FA323
Explore all seven referencesFrom volume to material
Colour is first read through form.
The pieces remain in their authentic setting among brick, timber and plants. The photography then moves closer until the setting disappears and the skin of each earthenware body fills the frame.
The true palette
Seven colours, from raw body to glaze.
Each medallion places the raw clay body beside the same glazed surface. The embossed R&B mark, natural light and workshop timber are preserved exactly as photographed, allowing the colours to speak without artifice.
FA160 · FA141 · FA170 · FA240 · FA151 · FA324 · FA323Seven colours. Seven characters.
Each reference leads to a clear product page with available bodies, firing range and direct access to technical and safety documents.
Material, filling the frame.
These close-ups are direct crops from the original photographs: no colour or texture has been reconstructed. Only the throwing marks and the meeting of matte and glazed surfaces remain.
The restored reference
FA240. Red returns to its place.
Photographed at the centre of the range, Beck Red can now be read as it should: a warm, lively brick shade that retains the full presence of the clay body.
One piece brings matte and glazed surfaces together to reveal the true depth of the colour.
View the FA240 product page
Saon · 14330
The collection in its own setting.
Plants, brickwork, the chimney and workshop tables create a natural frame. These new views complement the photographs already preserved in the R&B image library.
